Saturday, December 17, 2011
The trial was replete with contrasts – in attitude, temperament and legalities. Commencing with the prosecutor’s declaration that ‘… no one is above the law or beyond the reach of international justice’, the declaration was immediately rebutted by Milosevic’s allusions to the concept of freedom, ‘I, arrested, imprisoned, am nevertheless the free’ and his contempt of international law, as he stated ‘I challenge the very legality of this tribunal’. With a defiant attitude coupled with self-representation, Milosevic regaled the world with an insight into his construction of history.
Whether it was an attitude of detachment from, or denial of reality, Milosevic’s dismissal of atrocities jarred with the testimonies of survivors. Witnesses who survived the concentration camps recounted severe torture of the most extreme kind. These witness accounts were refuted by Milosevic, whose rhetoric countered that people were incapable of committing such evil extremes, thus detaching himself from the responsibility of the massacres.
With evidence accumulating against Milosevic, including the setting up of a Joint Command in order to bypass soldiers opposed to military action, Milosevic’s self-defence remained chaotic; a leader facing a hostile international community, at times portraying himself a victim of international conspiracy, a persecuted victim who in turn seized the opportunity to launch his own accusations against the NATO intervention. Despite evidence purporting Milosevic’s awareness of the murder rampage through communication channels, the SDB and other special reports, he continued to exhibit a detachment, claiming that his actions were classified as anti-terrorist operations, that deaths were the result of collateral damage in civil war, and at times his defence was to charge witnesses with conspiracy.
In several instances, Armatta remarks on the futility of holding NATO accountable for any deaths during its campaign. The prosecution claimed not to have enough evidence linking the people’s displacement to NATO airstrikes. General Wesley Clark was allowed to testify by the US, but only under condition that NATO would not be included in the testimony. During Clark’s testimony, the court adjourned for a few minutes to receive a fax signed by Bill Clinton which read, ‘Contrary to Mr Milosevic, General Wesley Clark carried out the policy of the NATO alliance to stop massive ethnic cleansing in Kosovo with great skill, integrity and determination.’ The categorical denial of witnesses stating that NATO inflicted no damage on the villages raised doubts of accountability; however the testimonies were not rendered invalid.
Milosevic’s death on March 11, 2006 prompted allegations of foul play, fuelled partly by a letter in which Milosevic alleged he was being poisoned. To counter the allegations, an autopsy report later stated that he died of natural causes. Past documents were also recalled, citing that since the commencement of the trial, Milosevic was said to be at great risk of cardiac arrest. The abrupt halt to Milosevic’s trial meant that charges of genocide remained unproven due to the court’s failure to establish the commencement and perpetration of the Srebrenica genocidal campaign. The culpability for genocide seems to have been resting on more Generals apart from Milosevic. In the absence of a declaration of genocidal intent, circumstantial evidence precludes a finding of genocide.
In the aftermath of Milosevic’s demise, the concept of split memory consciousness manifested itself in Serbs; with a minority of thousands hailing him as a martyr. The recollection of Milosevic as a national hero prompted outrage from his opponents, who described the homage as humiliating and tantamount to betrayal. The court’s inability to establish a widespread genocide failed to bring about closure to the survivors, in the absence of a verdict and in acknowledging the imperfections of law and justice. Also, the concept of establishing proof of guilt beyond a reasonable doubt, as required by international law, seems to have been flawed by NATO’s assisted impunity with regard to investigation for war crimes.
Armatta’s detailed narration and analysis of Milosevic’s trial makes this book vital for students and researchers interested in the ramifications and contradictions of international law and justice. There is clarity in her portrayal of inevitable flaws within the legal system which rendered Milosevic’s trial incomplete, allowing the reader to analyse how the parameters within which ‘no one is above the law’ is rendered invalid, namely the distance kept by the US in its dealings of with the ICTY and the dynamics which enable NATO’s war crimes to remain untarnished by any judicial procedures
Wednesday, December 7, 2011
Introducing Kafka - A Graphic Guide, immerses the reader immediately into a world where alienation provides magnificent insight into the immediate environment and its consequences. Kafka's literature is a realm of darkness in which abasement, grotesque detail, detachment and hibernation merge to create a narrative of fragmented truths and disgust.
From a childhood heavily influenced by his father's maltreatment and bullying, Kafka's writing resonated with self-deprecation. As he once stated, "Writing is a deeper sleep than death. Just as one wouldn't pull a corpse from its grave, I can't be dragged from my desk at night.” Writing became a necessity through which he was able to discern and absorb humiliation, while constructing narratives of submission, power and guilt.
Mairowitz's text shifts brilliantly from biography to overview of Kafka's stories, seamlessly portraying the family and history influences which caused Kafka to retreat and observe, instead of progressing to rebellion. Indeed, Kafka's precise observation, as well as debasing and humiliating descriptions stem from perceiving his characters through the lens of the oppressor. The Metamorphosis, In The Penal Colony, The Trial and A Hunger Artist pull the victim into the limelight by propelling the aberrant, oppressive characters to the fore. In this way, just as the victim in Kafka's stories seems to crave a withdrawal, the experienced humiliation is prolonged beyond the immediate torture.
Kafka's work was published posthumously by Max Brod, who ignored Kafka's specific instructions that his writings should be burned. His books were banned following World War II, having been promoted by Czech dissidents as realist literature.
Introducing Kafka - A Graphic Guide is an elaborate overview of an author who absorbed his environment through self-imposed detachment is an excellent prologue to anyone interested in delving further into Kafka's bizarre, magnificent literature.